Visualizzazione post con etichetta Martin Footitt. Mostra tutti i post
Visualizzazione post con etichetta Martin Footitt. Mostra tutti i post

mercoledì 26 aprile 2017

Review: GW High Elf Prince and Noble (2/2) - The Noble

A few month later, we conclude the Review on GW High Elf Prince and Noble, talking about the second miniature of the box, the Noble (the link to the first part is here).


Like the mounted Prince, also the Noble is highly customisable with different heads, shields, banners and weapons. And that's very good.




One thing is clear from the beginning: besides being sculpted by the same guy, Martin Footit, this figure is very different in two interconnected elements. First, whereas the Prince is a very dynamic sculpt, the Noble is extremely static: feet to the ground, arms to the side, looking forward, almost waiting for a faraway enemy to approach. It reminds me of the very old '80s High Elven infantry of the early editions, in a way, and it's obviously related to them. To me it's not so enticing: Elves are supposed to be nimble, fast, not statuary, but that's me.
Second: the Noble is as solid as rock. Once you put it together, it's unlikely that it will break or snap, like it happened several times with the Prince. It's plastic alright, but it withstands manipulation and this makes me very happy since I'm planning to use this figure in my next D&D game as a PC.

The PC in question is my Noble Elf Fighter (right, what a surprise!, you might say). Valandur Isirmo of the House of the Ivory Tower of Elventown in the Mountains of the Stars.

Don't you recognize me by the colours of my livery?
Valandur is a young Elf. Not young by Human standards but, as Elves reckon, he's just entered that age when young Elves discover the world and act naively and stupidly and recklessly and just as a Human male on the last year of high school or the first year of university.

Valandur is a nobleman, of course, from a prestigious house of a prestigious city of the most prestigious race, the Elves. The Sun Elves, of course, not the other lesser ones. But in spite of his origins he's not a cunt like everybody else where he comes from. 'Right, not as much as everybody else in Elventown. In fact, Valandur is on a quest to prove himself.

It so happened that he quarreled with another young Elf of his age, the odious Prince of the Elves, none other than Legoland the Handsome, son of the King. If you look on an elven dictionary at the word pharagrand (high elvish for "cunt") you will see Legoland's portrait. He's just this guy. Valandur hates him.
Long story short, one day as Legoland was coming back from a hunt with a dead wyvern as trophy, and people were throwing rose petals at him from the balcony, words escalated and Valandur said killing wyvern was for noobs, and that he could easily slay a dragon. Legoland's reply was a slap on the offender's face with his pailette-covered white glove. Challenge issued.

Young Valandur had no choice but to go, especially since the episode happened right in front of Morwen Elentilas, the proud lady whom everybody was courting and whose attention none was getting.

And so Valandur hit the road, and he started a life of adventures along with other valiant companions - Rothgar, a Dwarfish barbarian; Negal, a halfling assassin; and Loras, a half-elven rogue. It was a hard life of travel through the wild lands and battles with monsters and outlaws. But it was fun, and soon Valandur developed a reputation for being as easy to provoke a challenge as he was in spending all the money he had. Offering toasts at all the patrons of inns was one of his favourites, especially right after a bar-fight. Expensive clothes, fine food and wines, fancy accomodations and the expensive love of an elven princess-turned courtesan, Ahlahna of Neverwinter, made sure he money never stayed long in his pockets, but everybody knew his name, though, and that was the important thing!

At last, the party met a Dragon, a green one, and by sheer luck they slew it. Valandur had the head preserved by a taxidermist and turned homewards. As soon as he arrived in Elventown, he was welcomed by the people with cheers. He rode on a cart, covered in shining armour and garish clothes, the Dragon head behind him held by a stuffed Owl-bear. He threw coins at the crowd getting even more cheers.

Legoland didn't like it, and liked it even less when he got his own glove thrown at his face. The King had to accept the gifts graciously and commended the valour of Valandur. It was the elf's moment of glory, but it wasn't finished: the elder Elves, less interested in showing off and more into power-mongering, made it so that Valandur and Legoland were both candidated at the position of Speaker to the next Great Moot of Elves. And how would they settle the opposition? By vote? By a speech? By a gallant joust?

It is SO on.
Valandur and Legoland were so high on testosterone that they could only choose a fight. The two rivals met each other in the Arena, each covered in tight, bright garments, shiny pieces of armour and battle make up (rimmel, phard, bright-red lipstick and random hearts and spades drawn on cheekbones). Their nervous, darting muscles had been oiled with the special glitter-oil of the Elves.
Valandur was obviously better with the spear, his fighting technique mimicking a dance, but Legoland was a spellcaster and could strike at his opponent without even touching him. But eventually it was Valandur who had the upper hand, and Legoland found himself disarmed. Proudly refusing to yield, the Prince choose to fight without a weapon: in return, Valandur threw away his spear and jumped at him with his bare hands - well, not so bare, since he had Gloves of Ogre Power. A few good strikes, and Legoland was thrown to the ground, where he bit the dust.

The crowd exploded with cheers. Valandur was raised and paraded around the Arena by his supporters. When even Morwen threw her scarf at him, he jumped on the terraces and rewarded her with a full kiss that drew even further cheers (and a few deadly stares by her relatives).

And so the legend of Valandur began.

It wasn't easy to capture the full razmatazz of a character like Valandur with a static miniature like this. I decided to go for few, bright colours - white, blue and green, with some touches of yellow. The first hand was disappointing.

Even though I started with dark and dull colours, the figure isn't really helping to look lively. It needs a certain effort. I painted the armour in metal with black details, decorating some elements in green (the green dragon). The clothese are blue and white. In order to avoid too many colours I kept the gems as mily opals and onlu added some ochre yellow here and there. But before the end I had to add some gold here and there to brighten up the whole.

After a general wash and at least two layers of highlight, something started to come out. But it was the third highlight layer that did the job.


Final vote: 7/10. Good, but not great - there a lot of better miniatures for Elves, even in the GW range. I really do hope that AoS will refresh the image of the Aelves by more than adding an "A" in front of the name, but looking at what they're doing lately, I must say I am very hopeful. We shall see!

mercoledì 19 ottobre 2016

Review: GW High Elf Prince and Noble (1/2) - The Prince


This is the first pure plastic miniature I purchase and may I say "I do miss the metal ones".

I mean, what are the benefits?
Are they cheaper? No. They cost exactly the same as before, if not more.
Are they more handy? No. They have almost no weight and are easy to topple.
Are they stronger? No. They break at any gentle pressure.
Are they durable? No. Try to remove the paint with some acid and you'll remove the plastic too.
Are they more environmentally friendly? Granted, lead was poisounous, resin was a bit better, but don't tell me plastic, a byproduct of oil industry, is green.

For the consumer there are really no benefits. There are, of course, a lot of benefits for the seller. First one, plastic is way cheaper if manufactured in large quantities. A plastic moulding machine is expensive, but plastic itself is really cheap; there are huge fixed costs, but the variable ones are almost nothing. And that's why small companies are still using resin, and the giants like GW moved on to plastic. The second benefit is that plastic is really light, and that matters when you ship stuff abroad.
 

But here we are, opening the box of the High Elf Prince and Noble (Product Code 99 12 02 10 008, year 2013). Inside the box there are two sprues, containing all the pieces for two miniatures. The first thing I really like is that there are a number of double pieces, namely heads and weapons, but also cloaks, to let you customize the miniature. This makes a lot of difference, and I really like it.
I'll be starting with the mounted Prince and leave the Noble for a later time.

It takes some time to put together the final thing, but at last we get there. On one side, the horse; on the other, the Elf Prince. It takes a long but pleasant time to paint this miniature: there are plenty of small details and the structure makes it relatively easy and fun to paint them. Well done, Martin Footitt! But then one thing happen: the horse breaks. For the first time.



The thing is that this bloody horse is jumping, and is connected to its base by a single leg, a plastic leg. If you hold the base with a finger and the tail of the horse with another, no matter how gently, snap! It's broken. So it's glued again.



I decide to keep it simple and use red and white as the primary colours of my Prince, modelled after one of the PCs of my Warhammer Fantasy Roleplay, Celebril of Caledor, Knight-Errant, Noble and Bane of Chaos. I paint the armour as shining metal, with a steel base and silver highlights, using gold on details. The horse will be white as well, with a light golden tail, replicated on the helm of the hero.
 

The interesting part is the blade. In the WFRP campaign, Celebril wields a magic sword, the Gayvenderel or Crystal Sword. To give the effect of crystal, I painted many layers of glaze going from black to white with a glass colour in the middle, a mix of Vallejo Pastel Green and Grey Blue. I finished with some parallel strokes to represent the uneven structure of crystal. Overall, considering it's a first try, I am quite pleased. Less pleasing are the spikey grasses I add on the base - could have been better, but at least they match the colour of the horse's tail.
 

Isn't it a beauty? It is, after I glued the leg of the horse twice more.

Final judgement? The miniature looks great, but it is so weak I am really afraid when I hold it, and also I will never let my kids (or clumsy friends) near it. Using it in a game is out of question. This kind of miniature can be only kept on a shelf for display, and that goes against my idea of having miniatures. So it's a 5/10. If it was metal, it would be probably an 8, but the stupid fragility of the thing is unforgivable. Dear GW, make your miniatures in metal again or, if you don't want, consider avoiding jumping poses. I know I will, with your future products.